From writing a story
to building its world.
A multi-genre screenplay world ranging from romantic comedy (rom-com) and psychological/social drama to historical fantasy, corporate/business drama, limited series and 9:16 vertical microdrama.
Work that remains behind confidentiality agreements.
In the past, Volkan Sargın worked on film and television screenplays across different scopes and responsibilities. He wrote some projects in full, revised and developed existing stories and scripts on others, and on several projects he also took part in developing and directing the artistic work around the story.
A significant portion of this work cannot be publicly shared by project name today because of confidentiality agreements, rights transfers and commercial contracts.
Screenplay • Creative DevelopmentThe genres change.
The drive to tell stories does not.
Romantic Comedy (Rom-Com)
Three feature films that build romance through family, social circles, misunderstandings and character conflict.
Psychological Drama / Social Drama
Three feature films examining the relationship a person builds with themselves, their surroundings and the identity society places upon them.
Historical Fantasy / Period Fantasy
Four original stories bringing together past and present, memory and fantasy — one designed as a five-film series.
Corporate Drama / Business Drama
Four feature films exploring the effect of money, power, career, fame and social status on the individual.
Limited Series / Vertical Microdrama (9:16)
Six stories that can be adapted either as limited series or as 9:16 vertical microdramas designed for the phone screen.
Romantic Comedy Series (Rom-Com Series)
Two separate 12-episode romantic-comedy series in which supporting characters genuinely shape the direction of the story.
“He does not see a screenplay as simply a written text. He wants the story to be filmable, producible and sustainable.”
Story • Budget • ProductionWhere creative ideas meet production reality.
While working on a screenplay, he also treats production planning, budgeting, locations, visual world-building, art direction, character continuity and production methods as part of the story itself.
Alongside traditional filmmaking methods, he evaluates the new possibilities offered by AI-assisted visual and video technologies according to the needs of each project.
Particularly in projects with original worlds and recurring characters, he develops new production models capable of bringing the creative idea together with production reality.